Island of The Mind and Visual Journey is a photographic project about how the shape of inner experience can become visible through technological translation. It began from a series of my everyday drawing exercises, and unfolds as a two-stage image-object loop. First, I hand-built large foam sculptures, using "islands" and "plants" as provisional models of interior space. These soft, abstract forms do not attempt to describe a specific reality, but instead transform emotions and psychological states that cannot be expressed precisely into something visible. In the second stage, I re-encode the photographed sculptures into pixelated 3D-printed models and photograph them again. For me, pixelation is not simply a visual style, but a condition of contemporary visibility: images today are often organised through screens, resolution, and computational structures. By moving from object to photograph, from photograph to data-based model, and back to photograph, the project examines how scale, tactility, memory, and intimacy are compressed, altered, and reconstructed through each act of translation.